“Felt Like His Son”: Mammootty Remembers MT Vasudevan Nair
MT Vasudevan Nair, fondly known as MT, one of India’s most revered writers, screenwriters, and film directors, died today in Kozhikode, Kerala, at the age of 91.
As tributes pour in, legendary actor Mammootty expressed profound grief, reminiscing about his decades-long association with MT. “Some people say that MT discovered Mammootty. I was the one who wanted to see him, prayed for that, and then I met him. That relationship grew from the day I met him—it multiplied like a friend, like a brother,” Mammootty shared, his voice heavy with emotion. Reflecting on a poignant memory, he said, “Four or five months ago, during a programme in Ernakulam, when he stumbled and leaned on my chest… I felt like I was that man’s son. The greatest fortune I have received in my film career is that I have found a place in that heart.”
Mammootty and MT Vasudevan Nair collaborated on iconic films such as Vilkanundu Swapnangal, Adiyozhukkukal, Aalkoottathil Thaniye, Oru Vadakkan Veeragadha, and Vidheyan, among others. These films, hailed as cultural milestones, explored the complexities of human relationships and the socio-cultural discourses in Kerala. Mammootty acknowledged MT’s unparalleled influence on his craft: “I have portrayed many characters with a touch of his soul. I don’t remember any of them now. An era is fading away. My mind feels empty.”
The creative synergy between MT and Mammootty is considered a cornerstone of Malayalam cinema as the duo produced some of the best works together. MT’s evocative narratives found their ideal interpreter in Mammootty, whose nuanced performances brought to life the depth and intricacies of MT’s characters. In Oru Vadakkan Veeragadha, Mammootty redefined the folkloric hero Chandu, presenting a tragic, humanised portrayal that resonated deeply with audiences. Similarly, in Vidheyan, Mammootty’s depiction of Thommi, a conflicted slave, is regarded as one of his most compelling performances.
Beyond their professional collaboration, Mammootty shared a deeply personal bond with MT. “An era has truly ended,” Mammootty reflected, his words echoing the collective sentiment of Malayali cinema and literature enthusiasts.
His works, including literary classics like Randamoozham and Manju, and films such as Nirmalyam and Kadavu, have left an indelible mark on Kerala’s cultural fabric.
The celebrated Jnanpith laureate had been hospitalised for 11 days following heart disease and shortness of breath. Despite medical intervention, his condition deteriorated after a heart attack yesterday, leading to kidney and heart failure. His funeral is scheduled for Thursday, December 26, at 5 PM, at the Mavoor Crematorium in Kozhikode.
